V
VIDEOSCULPTURES
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I've added another contributing artist to video sculpture
[td][/td] [td]==History==[/td]
[td]==History==[/td] [td]In the late 1950s and early 1960s, artists [[Wolf Vostell]] and [[Edward Kienholz]] began experimenting with televisions by using them in their [[happenings]] and assemblages respectively. In March 1963, [[Nam June Paik]]'s debuted his video sculpture entitled ''Music/Electronic Television'' at the Parnass Gallery in Wupertal, which used 13 altered televisions. In May 1963 [[Wolf Vostell]] shows his [[Installation art|installation]] ''6 TV-DΓ©-coll/age''<ref>{{cite web|url=http://www.medienkunstnetz.de/works/television-decollage/|title=Media Art Net - Vostell, Wolf: Television DΓ©collage|date=2 January 2019|website=Medienkunstnetz.de|access-date=2 January 2019}}</ref> at the [[Smolin Gallery]] in New York utilized six televisions, each with an anomaly.<ref name=DTPIV>{{cite web |url= http://muse.jhu.edu/demo/leonardo/v034/34.1dictionary.html |title= Dictionary TermsβPart II: Video |access-date=2008-08-06 |publisher=Project Muse}}</ref> [[Shigeko Kubota]] was also an innovator in the use of video in sculptural form. Her ''Duchampiana: Nude Descending a Staircase'' was the first video sculpture acquired by the [[Museum of Modern Art]]. This work is a reference to [[Marcel Duchamp]]'s ''[[Nude Descending a Staircase, No. 2]]'' (1912)<ref name=IP>{{cite book|url=https://books.google.com/books?id=hVzPI1mvf1cC&q="video+sculpture"&pg=RA1-PA193|title=Into Performance|access-date=2008-08-11|author=Yoshimoto, Midori|year=2005|pages=191β3|isbn=9780813535210}}</ref> Video sculpturist are becoming influential among early 21st century artists.<ref>{{cite web|url=https://www.nytimes.com/2008/01/04/arts/design/04voge.html?|title=Finalists Named for Hugo Boss Prize |access-date=2008-08-11|date=2008-01-04|newspaper=[[The New York Times]]|author=Vogel, Carol}}</ref> One of Paik's video sculptures in which the six windows of a 1936 [[Chrysler Airstream]] were replaced with video monitors sold for [[U.S. Dollar|$]]75,000 in 2002.<ref>{{cite web|url=https://query.nytimes.com/gst/fullp...53CF937A15757C0A9649C8B63|title=ACQUISITIONS; Whether Turtle or Motherwell, There's More Than Meets the Eye|access-date=2008-08-11|date=2008-01-04|newspaper=[[The New York Times]]|author=Ivry, Sara}}</ref>[/td]
[td]In the late 1950s and early 1960s, artists [[Wolf Vostell]] and [[Edward Kienholz]] began experimenting with televisions by using them in their [[happenings]] and assemblages respectively. In March 1963, [[Nam June Paik]]'s debuted his video sculpture entitled ''Music/Electronic Television'' at the Parnass Gallery in Wupertal, which used 13 altered televisions. In May 1963 [[Wolf Vostell]] shows his [[Installation art|installation]] ''6 TV-DΓ©-coll/age''<ref>{{cite web|url=http://www.medienkunstnetz.de/works/television-decollage/|title=Media Art Net - Vostell, Wolf: Television DΓ©collage|date=2 January 2019|website=Medienkunstnetz.de|access-date=2 January 2019}}</ref> at the [[Smolin Gallery]] in New York utilized six televisions, each with an anomaly. In 2005 Michael Gino MATTEO was awarded a grant from world renown arts festival Burning Man Project to build and exhibit his 2 story tall interactive audi/video sculpture entitled "Headspace". Its immediate success earned him another grant on the spot for a sight unseen video sculpture entitled "Spectre" to exhibit in following 2006 event. The Discovery Times Channel has featured his work (2005) and NBC News reporter Cary Berglund proclaims MATTEO the first to integrate both audio/soundtrack and video in his video sculptures in 2008 gallery debute in Santa Monica Ca. <ref name=DTPIV>{{cite web |url= http://muse.jhu.edu/demo/leonardo/v034/34.1dictionary.html |title= Dictionary TermsβPart II: Video |access-date=2008-08-06 |publisher=Project Muse}}</ref> [[Shigeko Kubota]] was also an innovator in the use of video in sculptural form. Her ''Duchampiana: Nude Descending a Staircase'' was the first video sculpture acquired by the [[Museum of Modern Art]]. This work is a reference to [[Marcel Duchamp]]'s ''[[Nude Descending a Staircase, No. 2]]'' (1912)<ref name=IP>{{cite book|url=https://books.google.com/books?id=hVzPI1mvf1cC&q="video+sculpture"&pg=RA1-PA193|title=Into Performance|access-date=2008-08-11|author=Yoshimoto, Midori|year=2005|pages=191β3|isbn=9780813535210}}</ref> Video sculpturist are becoming influential among early 21st century artists.<ref>{{cite web|url=https://www.nytimes.com/2008/01/04/arts/design/04voge.html?|title=Finalists Named for Hugo Boss Prize |access-date=2008-08-11|date=2008-01-04|newspaper=[[The New York Times]]|author=Vogel, Carol}}</ref> One of Paik's video sculptures in which the six windows of a 1936 [[Chrysler Airstream]] were replaced with video monitors sold for [[U.S. Dollar|$]]75,000 in 2002.<ref>{{cite web|url=https://query.nytimes.com/gst/fullp...53CF937A15757C0A9649C8B63|title=ACQUISITIONS; Whether Turtle or Motherwell, There's More Than Meets the Eye|access-date=2008-08-11|date=2008-01-04|newspaper=[[The New York Times]]|author=Ivry, Sara}}</ref>[/td] [td][/td]
[td][/td] [td][[Charlotte Moorman]] was a notable subject of video sculptures as a renowned topless [[cellist]].<ref>{{cite magazine|url=http://www.time.com/time/magazine/a...,00.html|url-status=dead|archive-date=October 25, 2012|title=The Decline and Fall of the Avant-Garde (page 3)|magazine=[[Time (magazine)|Time]]|publisher=[[Time, Inc.]]|author=Hughes, Robert|date=1972-12-18}}</ref>[/td]
[td][[Charlotte Moorman]] was a notable subject of video sculptures as a renowned topless [[cellist]].<ref>{{cite magazine|url=http://www.time.com/time/magazine/a...,00.html|url-status=dead|archive-date=October 25, 2012|title=The Decline and Fall of the Avant-Garde (page 3)|magazine=[[Time (magazine)|Time]]|publisher=[[Time, Inc.]]|author=Hughes, Robert|date=1972-12-18}}</ref>[/td] [td]* [[Pipilotti Rist]][/td]
[td]* [[Pipilotti Rist]][/td] [td]* [[Sonny Sanjay Vadgama]][/td]
[td]* [[Sonny Sanjay Vadgama]][/td] [td]* Michael Gino Matteo[/td] [td][/td]
[td][/td] [td]==See also==[/td]
[td]==See also==[/td]
Continue reading...
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[td][/td]Revision as of 09:13, 30 August 2025
[/td][td][/td] [td]==History==[/td]
[td]==History==[/td] [td]In the late 1950s and early 1960s, artists [[Wolf Vostell]] and [[Edward Kienholz]] began experimenting with televisions by using them in their [[happenings]] and assemblages respectively. In March 1963, [[Nam June Paik]]'s debuted his video sculpture entitled ''Music/Electronic Television'' at the Parnass Gallery in Wupertal, which used 13 altered televisions. In May 1963 [[Wolf Vostell]] shows his [[Installation art|installation]] ''6 TV-DΓ©-coll/age''<ref>{{cite web|url=http://www.medienkunstnetz.de/works/television-decollage/|title=Media Art Net - Vostell, Wolf: Television DΓ©collage|date=2 January 2019|website=Medienkunstnetz.de|access-date=2 January 2019}}</ref> at the [[Smolin Gallery]] in New York utilized six televisions, each with an anomaly.<ref name=DTPIV>{{cite web |url= http://muse.jhu.edu/demo/leonardo/v034/34.1dictionary.html |title= Dictionary TermsβPart II: Video |access-date=2008-08-06 |publisher=Project Muse}}</ref> [[Shigeko Kubota]] was also an innovator in the use of video in sculptural form. Her ''Duchampiana: Nude Descending a Staircase'' was the first video sculpture acquired by the [[Museum of Modern Art]]. This work is a reference to [[Marcel Duchamp]]'s ''[[Nude Descending a Staircase, No. 2]]'' (1912)<ref name=IP>{{cite book|url=https://books.google.com/books?id=hVzPI1mvf1cC&q="video+sculpture"&pg=RA1-PA193|title=Into Performance|access-date=2008-08-11|author=Yoshimoto, Midori|year=2005|pages=191β3|isbn=9780813535210}}</ref> Video sculpturist are becoming influential among early 21st century artists.<ref>{{cite web|url=https://www.nytimes.com/2008/01/04/arts/design/04voge.html?|title=Finalists Named for Hugo Boss Prize |access-date=2008-08-11|date=2008-01-04|newspaper=[[The New York Times]]|author=Vogel, Carol}}</ref> One of Paik's video sculptures in which the six windows of a 1936 [[Chrysler Airstream]] were replaced with video monitors sold for [[U.S. Dollar|$]]75,000 in 2002.<ref>{{cite web|url=https://query.nytimes.com/gst/fullp...53CF937A15757C0A9649C8B63|title=ACQUISITIONS; Whether Turtle or Motherwell, There's More Than Meets the Eye|access-date=2008-08-11|date=2008-01-04|newspaper=[[The New York Times]]|author=Ivry, Sara}}</ref>[/td]
[td]In the late 1950s and early 1960s, artists [[Wolf Vostell]] and [[Edward Kienholz]] began experimenting with televisions by using them in their [[happenings]] and assemblages respectively. In March 1963, [[Nam June Paik]]'s debuted his video sculpture entitled ''Music/Electronic Television'' at the Parnass Gallery in Wupertal, which used 13 altered televisions. In May 1963 [[Wolf Vostell]] shows his [[Installation art|installation]] ''6 TV-DΓ©-coll/age''<ref>{{cite web|url=http://www.medienkunstnetz.de/works/television-decollage/|title=Media Art Net - Vostell, Wolf: Television DΓ©collage|date=2 January 2019|website=Medienkunstnetz.de|access-date=2 January 2019}}</ref> at the [[Smolin Gallery]] in New York utilized six televisions, each with an anomaly. In 2005 Michael Gino MATTEO was awarded a grant from world renown arts festival Burning Man Project to build and exhibit his 2 story tall interactive audi/video sculpture entitled "Headspace". Its immediate success earned him another grant on the spot for a sight unseen video sculpture entitled "Spectre" to exhibit in following 2006 event. The Discovery Times Channel has featured his work (2005) and NBC News reporter Cary Berglund proclaims MATTEO the first to integrate both audio/soundtrack and video in his video sculptures in 2008 gallery debute in Santa Monica Ca. <ref name=DTPIV>{{cite web |url= http://muse.jhu.edu/demo/leonardo/v034/34.1dictionary.html |title= Dictionary TermsβPart II: Video |access-date=2008-08-06 |publisher=Project Muse}}</ref> [[Shigeko Kubota]] was also an innovator in the use of video in sculptural form. Her ''Duchampiana: Nude Descending a Staircase'' was the first video sculpture acquired by the [[Museum of Modern Art]]. This work is a reference to [[Marcel Duchamp]]'s ''[[Nude Descending a Staircase, No. 2]]'' (1912)<ref name=IP>{{cite book|url=https://books.google.com/books?id=hVzPI1mvf1cC&q="video+sculpture"&pg=RA1-PA193|title=Into Performance|access-date=2008-08-11|author=Yoshimoto, Midori|year=2005|pages=191β3|isbn=9780813535210}}</ref> Video sculpturist are becoming influential among early 21st century artists.<ref>{{cite web|url=https://www.nytimes.com/2008/01/04/arts/design/04voge.html?|title=Finalists Named for Hugo Boss Prize |access-date=2008-08-11|date=2008-01-04|newspaper=[[The New York Times]]|author=Vogel, Carol}}</ref> One of Paik's video sculptures in which the six windows of a 1936 [[Chrysler Airstream]] were replaced with video monitors sold for [[U.S. Dollar|$]]75,000 in 2002.<ref>{{cite web|url=https://query.nytimes.com/gst/fullp...53CF937A15757C0A9649C8B63|title=ACQUISITIONS; Whether Turtle or Motherwell, There's More Than Meets the Eye|access-date=2008-08-11|date=2008-01-04|newspaper=[[The New York Times]]|author=Ivry, Sara}}</ref>[/td] [td][/td]
[td][/td] [td][[Charlotte Moorman]] was a notable subject of video sculptures as a renowned topless [[cellist]].<ref>{{cite magazine|url=http://www.time.com/time/magazine/a...,00.html|url-status=dead|archive-date=October 25, 2012|title=The Decline and Fall of the Avant-Garde (page 3)|magazine=[[Time (magazine)|Time]]|publisher=[[Time, Inc.]]|author=Hughes, Robert|date=1972-12-18}}</ref>[/td]
[td][[Charlotte Moorman]] was a notable subject of video sculptures as a renowned topless [[cellist]].<ref>{{cite magazine|url=http://www.time.com/time/magazine/a...,00.html|url-status=dead|archive-date=October 25, 2012|title=The Decline and Fall of the Avant-Garde (page 3)|magazine=[[Time (magazine)|Time]]|publisher=[[Time, Inc.]]|author=Hughes, Robert|date=1972-12-18}}</ref>[/td] [td]* [[Pipilotti Rist]][/td]
[td]* [[Pipilotti Rist]][/td] [td]* [[Sonny Sanjay Vadgama]][/td]
[td]* [[Sonny Sanjay Vadgama]][/td] [td]* Michael Gino Matteo[/td] [td][/td]
[td][/td] [td]==See also==[/td]
[td]==See also==[/td]
Continue reading...