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Early 1960s: End of the era
[td]On September 1959, [[Manuel Conde]] continued the [[Juan Tamad]] film series with the release of ''Juan Tamad Goes to Congress'', produced by [[LVN Pictures]].<ref>{{Cite book |last=Tiongson |first=Nicanor G. |url=https://books.google.com.ph/books?i...M#v=onepage&q=juan tamad manuel conde&f=false |title=Sining at Kamalayang Pilipino na Maka-tao |date=January 1, 2022 |publisher=Center for Philippine Studies, Research Institute for Culture and Language, Polytechnic University of the Philippines |isbn=978-621-96771-0-3 |pages=104 |language=tl |trans-title=Filipino Art and Humanity}}</ref> The film series is credited for introducing satire as a viable genre, using humor to address various social issues, which film critic [[Nicanor Tiongson|Dr. Nicanor G. Tiongson]] opined in a 2016 lecture at the [[University of the Philippines Diliman|University of the Philippines]], "radical and very dangerous at that time."<ref name=":7" /><ref>{{Cite book |last=Deocampo |first=Nick |url=https://books.google.com.ph/books?i...M#v=onepage&q=juan tamad manuel conde&f=false |title=EIGA: Cinema in the Philippines During World War II |date=November 9, 2017 |publisher=Anvil Publishing, Inc. |isbn=978-621-420-083-2}}</ref> By the end of the decade, the remaining major studios, including the smaller units, began facing rising production costs and labor disputes that further strained studio finances. The tensions between studio management and film workers led to strikes and disruptions.[/td] [td]===Early 1960s: End of the era===[/td]
[td]===Early 1960s: End of the era===[/td] [td]During this period, Hollywood and Hong Kong films began to flood the market, offering higher production values and accounted for nearly 40% of theater screenings that further squeezed local productions. [[LVN Pictures]] ceased film production in 1961 and shifted to post production such as color processing laboratory.<ref>{{Cite book |url=https://books.google.com.ph/books?i...F6BAgGEAM#kundiman ng lahi 1959 charito solis |title=CCP Encyclopedia of Philippine Art: Philippine film |date=1994 |publisher=Cultural Center of the Philippines |isbn=978-971-8546-42-0 |pages=324}}</ref> The ensuing breakdown of the studio system in the 1960s led to an acceleration of filmmaking activities among independent companies.[/td]
[td]During this period, Hollywood and Hong Kong films began to flood the market, offering higher production values and accounted for nearly 40% of theater screenings that further squeezed local productions. [[LVN Pictures]] ceased film production in 1961 and shifted to post production such as color processing laboratory.<ref>{{Cite book |url=https://books.google.com.ph/books?i...F6BAgGEAM#kundiman ng lahi 1959 charito solis |title=CCP Encyclopedia of Philippine Art: Philippine film |date=1994 |publisher=Cultural Center of the Philippines |isbn=978-971-8546-42-0 |pages=324}}</ref> The ensuing breakdown of the studio system in the 1960s led to an acceleration of filmmaking activities among independent companies, ushering a new era in Philippine cinema.[/td] [td][/td]
[td][/td] [td]==Style and themes==[/td]
[td]==Style and themes==[/td]
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[td]On September 1959, [[Manuel Conde]] continued the [[Juan Tamad]] film series with the release of ''Juan Tamad Goes to Congress'', produced by [[LVN Pictures]].<ref>{{Cite book |last=Tiongson |first=Nicanor G. |url=https://books.google.com.ph/books?i...M#v=onepage&q=juan tamad manuel conde&f=false |title=Sining at Kamalayang Pilipino na Maka-tao |date=January 1, 2022 |publisher=Center for Philippine Studies, Research Institute for Culture and Language, Polytechnic University of the Philippines |isbn=978-621-96771-0-3 |pages=104 |language=tl |trans-title=Filipino Art and Humanity}}</ref> The film series is credited for introducing satire as a viable genre, using humor to address various social issues, which film critic [[Nicanor Tiongson|Dr. Nicanor G. Tiongson]] opined in a 2016 lecture at the [[University of the Philippines Diliman|University of the Philippines]], "radical and very dangerous at that time."<ref name=":7" /><ref>{{Cite book |last=Deocampo |first=Nick |url=https://books.google.com.ph/books?i...M#v=onepage&q=juan tamad manuel conde&f=false |title=EIGA: Cinema in the Philippines During World War II |date=November 9, 2017 |publisher=Anvil Publishing, Inc. |isbn=978-621-420-083-2}}</ref> By the end of the decade, the remaining major studios, including the smaller units, began facing rising production costs and labor disputes that further strained studio finances. The tensions between studio management and film workers led to strikes and disruptions.[/td]Revision as of 12:11, 30 August 2025
[/td][td]On September 1959, [[Manuel Conde]] continued the [[Juan Tamad]] film series with the release of ''Juan Tamad Goes to Congress'', produced by [[LVN Pictures]].<ref>{{Cite book |last=Tiongson |first=Nicanor G. |url=https://books.google.com.ph/books?i...M#v=onepage&q=juan tamad manuel conde&f=false |title=Sining at Kamalayang Pilipino na Maka-tao |date=January 1, 2022 |publisher=Center for Philippine Studies, Research Institute for Culture and Language, Polytechnic University of the Philippines |isbn=978-621-96771-0-3 |pages=104 |language=tl |trans-title=Filipino Art and Humanity}}</ref> The film series is credited for introducing satire as a viable genre, using humor to address various social issues, which film critic [[Nicanor Tiongson|Dr. Nicanor G. Tiongson]] opined in a 2016 lecture at the [[University of the Philippines Diliman|University of the Philippines]], "radical and very dangerous at that time."<ref name=":7" /><ref>{{Cite book |last=Deocampo |first=Nick |url=https://books.google.com.ph/books?i...M#v=onepage&q=juan tamad manuel conde&f=false |title=EIGA: Cinema in the Philippines During World War II |date=November 9, 2017 |publisher=Anvil Publishing, Inc. |isbn=978-621-420-083-2}}</ref> By the end of the decade, the remaining major studios, including the smaller units, began facing rising production costs and labor disputes that further strained studio finances. The tensions between studio management and film workers led to strikes and disruptions.[/td] [td]===Early 1960s: End of the era===[/td]
[td]===Early 1960s: End of the era===[/td] [td]During this period, Hollywood and Hong Kong films began to flood the market, offering higher production values and accounted for nearly 40% of theater screenings that further squeezed local productions. [[LVN Pictures]] ceased film production in 1961 and shifted to post production such as color processing laboratory.<ref>{{Cite book |url=https://books.google.com.ph/books?i...F6BAgGEAM#kundiman ng lahi 1959 charito solis |title=CCP Encyclopedia of Philippine Art: Philippine film |date=1994 |publisher=Cultural Center of the Philippines |isbn=978-971-8546-42-0 |pages=324}}</ref> The ensuing breakdown of the studio system in the 1960s led to an acceleration of filmmaking activities among independent companies.[/td]
[td]During this period, Hollywood and Hong Kong films began to flood the market, offering higher production values and accounted for nearly 40% of theater screenings that further squeezed local productions. [[LVN Pictures]] ceased film production in 1961 and shifted to post production such as color processing laboratory.<ref>{{Cite book |url=https://books.google.com.ph/books?i...F6BAgGEAM#kundiman ng lahi 1959 charito solis |title=CCP Encyclopedia of Philippine Art: Philippine film |date=1994 |publisher=Cultural Center of the Philippines |isbn=978-971-8546-42-0 |pages=324}}</ref> The ensuing breakdown of the studio system in the 1960s led to an acceleration of filmmaking activities among independent companies, ushering a new era in Philippine cinema.[/td] [td][/td]
[td][/td] [td]==Style and themes==[/td]
[td]==Style and themes==[/td]
Continue reading...
