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Influence on rock music
[td]Jazz rock fusion's technically challenging guitar solos, bass solos, and odd-metered, syncopated drumming started to be incorporated in the technically focused [[progressive metal]] genre by the late 1980s. [[Watchtower (band)|Watchtower]]'s 1989 album ''[[Control and Resistance]]'' is one of the earliest progressive/[[thrash metal]] albums to experiment with a jazz fusion-influenced sound.<ref>{{Cite book |last=Sharpe-Young |first=Garry |url=https://www.google.com/books/editio...on"+"watchtower"&pg=PA495&printsec=frontcover |title=Metal: The Definitive Guide : Heavy, NWOBH, Progressive, Thrash, Death, Black, Gothic, Doom, Nu |date=2007 |publisher=Jawbone Press |isbn=978-1-906002-01-5 |page=495 |ol=8776949M}}</ref> The [[death metal]] band [[Atheist (band)|Atheist]] produced albums ''[[Unquestionable Presence]]'' in 1991 and ''[[Elements (Atheist album)|Elements]]'' in 1993 containing heavily syncopated drumming, changing time signatures, instrumental parts, acoustic interludes, and Latin rhythms. [[Meshuggah]] first attracted international attention with the 1995 release ''[[Destroy Erase Improve]]'' for its fusion of fast-tempo death metal, thrash metal, and progressive metal with jazz fusion elements. [[Cynic (band)|Cynic]] recorded a complex, unorthodox form of jazz fusion influenced experimental death metal with their 1993 album ''[[Focus (Cynic album)|Focus]]''. In 1997, Guitar Institute of Technology guitarist [[Jennifer Batten]] under the name of [[Jennifer Batten's Tribal Rage: Momentum]] released ''Momentum''βan instrumental hybrid of rock, fusion, and exotic sounds. [[Mudvayne]] is heavily influenced by jazz, especially in bassist [[Ryan Martinie]]'s playing.<ref name="Ratliff">{{cite magazine |url=https://www.rollingstone.com/artists/mudvayne/albums/album/93388/review/5941180/ld_50 |archive-url=https://web.archive.org/web/2007111...vayne/albums/album/93388/review/5941180/ld_50 |url-status=dead |archive-date=November 12, 2007 |title=Review of ''L.D. 50'' |first=Ben |last=Ratliff |date=September 28, 2000 |magazine=[[Rolling Stone]] |access-date=February 24, 2010 }}</ref><ref name="Rvr">Jon Wiederhorn, "Hellyeah: Night Riders", ''[[Revolver (magazine)|Revolver]]'', March 2007, p. 60-64 ([http://www.revolvermag.com/features/index.html link to ''Revolver'' back issues] {{webarchive|url=https://web.archive.org/web/20070928225752/http://www.revolvermag.com/features/index.html |date=September 28, 2007 }})</ref> [[Puya (band)|Puya]] frequently incorporates influences from American and [[Latin jazz]] music.<ref name="Mateus">{{cite book |last1=Mateus |first1=Jorge ArΓ©valo |editor1-last=Hernandez |editor1-first=Deborah Pacini |editor2-last=L'Hoeste |editor2-first=HΓ©ctor FernΓ‘ndez |editor3-last=Zolov |editor3-first=Eric |title=Rockin' Las Americas: The Global Politics of Rock in Latin/o America |url=https://archive.org/details/rockinlasamerica00paci |url-access=registration |date=2004 |publisher=University of Pittsburgh Press |location=Pittsburgh, PA |isbn=0-8229-5841-4 |pages=[https://archive.org/details/rockinlasamerica00paci/page/94 94β98]}}</ref>[/td] [td][/td]
[td][/td] [td]Another, more cerebral, all-instrumental progressive jazz fusion-metal band [[Planet X (band)|Planet X]] released ''[[Universe (Planet X album)|Universe]]'' in 2000 with [[Tony MacAlpine]], [[Derek Sherinian]] (ex-[[Dream Theater]]), and [[Virgil Donati]] (who has played with [[Scott Henderson]] from [[Tribal Tech]]). The band blends fusion-style guitar solos and syncopated odd-metered drumming with the heaviness of metal. Tech-prog-fusion metal band [[Aghora (band)|Aghora]] formed in 1995 and released their first album, self-titled ''[[Aghora (album)|Aghora]]'', recorded in 1999 with [[Sean Malone]] and [[Sean Reinert]], both former members of Cynic. [[Gordian Knot (band)|Gordian Knot]], another Cynic-linked experimental progressive metal band, released its debut album in 1999 which explored a range of styles from jazz fusion to metal. [[The Mars Volta]] is extremely influenced by jazz fusion, using progressive, unexpected turns in the drum patterns and instrumental lines. The style of Uzbek prog band [[Fromuz]] is described as "prog fusion". In lengthy instrumental [[Jam session|jams]] the band transitions from fusion of rock and [[ambient music|ambient]] [[world music]] to jazz and progressive hard rock tones.<ref>{{cite web |url=http://www.rockreviews.org/reviewpage.php?ID=624 |title=Music review of Overlook CD by Fromuz (2008) |website=rockreviews.org}}</ref>[/td]
[td]Another, more cerebral, all-instrumental progressive jazz fusion-metal band [[Planet X (band)|Planet X]] released ''[[Universe (Planet X album)|Universe]]'' in 2000 with [[Tony MacAlpine]], [[Derek Sherinian]] (ex-[[Dream Theater]]), and [[Virgil Donati]] (who has played with [[Scott Henderson]] from [[Tribal Tech]]). The band blends fusion-style guitar solos and syncopated odd-metered drumming with the heaviness of metal. Tech-prog-fusion metal band [[Aghora (band)|Aghora]] formed in 1995 and released their first album, self-titled ''[[Aghora (album)|Aghora]]'', recorded in 1999 with [[Sean Malone]] and [[Sean Reinert]], both former members of Cynic. [[Gordian Knot (band)|Gordian Knot]], another Cynic-linked experimental progressive metal band, released its debut album in 1999 which explored a range of styles from jazz fusion to metal. [[The Mars Volta]] is extremely influenced by jazz fusion, using progressive, unexpected turns in the drum patterns and instrumental lines.[/td] [td][/td]
[td][/td] [td]== See also ==[/td]
[td]== See also ==[/td]
Continue reading...
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[td]Jazz rock fusion's technically challenging guitar solos, bass solos, and odd-metered, syncopated drumming started to be incorporated in the technically focused [[progressive metal]] genre by the late 1980s. [[Watchtower (band)|Watchtower]]'s 1989 album ''[[Control and Resistance]]'' is one of the earliest progressive/[[thrash metal]] albums to experiment with a jazz fusion-influenced sound.<ref>{{Cite book |last=Sharpe-Young |first=Garry |url=https://www.google.com/books/editio...on"+"watchtower"&pg=PA495&printsec=frontcover |title=Metal: The Definitive Guide : Heavy, NWOBH, Progressive, Thrash, Death, Black, Gothic, Doom, Nu |date=2007 |publisher=Jawbone Press |isbn=978-1-906002-01-5 |page=495 |ol=8776949M}}</ref> The [[death metal]] band [[Atheist (band)|Atheist]] produced albums ''[[Unquestionable Presence]]'' in 1991 and ''[[Elements (Atheist album)|Elements]]'' in 1993 containing heavily syncopated drumming, changing time signatures, instrumental parts, acoustic interludes, and Latin rhythms. [[Meshuggah]] first attracted international attention with the 1995 release ''[[Destroy Erase Improve]]'' for its fusion of fast-tempo death metal, thrash metal, and progressive metal with jazz fusion elements. [[Cynic (band)|Cynic]] recorded a complex, unorthodox form of jazz fusion influenced experimental death metal with their 1993 album ''[[Focus (Cynic album)|Focus]]''. In 1997, Guitar Institute of Technology guitarist [[Jennifer Batten]] under the name of [[Jennifer Batten's Tribal Rage: Momentum]] released ''Momentum''βan instrumental hybrid of rock, fusion, and exotic sounds. [[Mudvayne]] is heavily influenced by jazz, especially in bassist [[Ryan Martinie]]'s playing.<ref name="Ratliff">{{cite magazine |url=https://www.rollingstone.com/artists/mudvayne/albums/album/93388/review/5941180/ld_50 |archive-url=https://web.archive.org/web/2007111...vayne/albums/album/93388/review/5941180/ld_50 |url-status=dead |archive-date=November 12, 2007 |title=Review of ''L.D. 50'' |first=Ben |last=Ratliff |date=September 28, 2000 |magazine=[[Rolling Stone]] |access-date=February 24, 2010 }}</ref><ref name="Rvr">Jon Wiederhorn, "Hellyeah: Night Riders", ''[[Revolver (magazine)|Revolver]]'', March 2007, p. 60-64 ([http://www.revolvermag.com/features/index.html link to ''Revolver'' back issues] {{webarchive|url=https://web.archive.org/web/20070928225752/http://www.revolvermag.com/features/index.html |date=September 28, 2007 }})</ref> [[Puya (band)|Puya]] frequently incorporates influences from American and [[Latin jazz]] music.<ref name="Mateus">{{cite book |last1=Mateus |first1=Jorge ArΓ©valo |editor1-last=Hernandez |editor1-first=Deborah Pacini |editor2-last=L'Hoeste |editor2-first=HΓ©ctor FernΓ‘ndez |editor3-last=Zolov |editor3-first=Eric |title=Rockin' Las Americas: The Global Politics of Rock in Latin/o America |url=https://archive.org/details/rockinlasamerica00paci |url-access=registration |date=2004 |publisher=University of Pittsburgh Press |location=Pittsburgh, PA |isbn=0-8229-5841-4 |pages=[https://archive.org/details/rockinlasamerica00paci/page/94 94β98]}}</ref>[/td]Revision as of 03:09, 31 August 2025
[/td][td]Jazz rock fusion's technically challenging guitar solos, bass solos, and odd-metered, syncopated drumming started to be incorporated in the technically focused [[progressive metal]] genre by the late 1980s. [[Watchtower (band)|Watchtower]]'s 1989 album ''[[Control and Resistance]]'' is one of the earliest progressive/[[thrash metal]] albums to experiment with a jazz fusion-influenced sound.<ref>{{Cite book |last=Sharpe-Young |first=Garry |url=https://www.google.com/books/editio...on"+"watchtower"&pg=PA495&printsec=frontcover |title=Metal: The Definitive Guide : Heavy, NWOBH, Progressive, Thrash, Death, Black, Gothic, Doom, Nu |date=2007 |publisher=Jawbone Press |isbn=978-1-906002-01-5 |page=495 |ol=8776949M}}</ref> The [[death metal]] band [[Atheist (band)|Atheist]] produced albums ''[[Unquestionable Presence]]'' in 1991 and ''[[Elements (Atheist album)|Elements]]'' in 1993 containing heavily syncopated drumming, changing time signatures, instrumental parts, acoustic interludes, and Latin rhythms. [[Meshuggah]] first attracted international attention with the 1995 release ''[[Destroy Erase Improve]]'' for its fusion of fast-tempo death metal, thrash metal, and progressive metal with jazz fusion elements. [[Cynic (band)|Cynic]] recorded a complex, unorthodox form of jazz fusion influenced experimental death metal with their 1993 album ''[[Focus (Cynic album)|Focus]]''. In 1997, Guitar Institute of Technology guitarist [[Jennifer Batten]] under the name of [[Jennifer Batten's Tribal Rage: Momentum]] released ''Momentum''βan instrumental hybrid of rock, fusion, and exotic sounds. [[Mudvayne]] is heavily influenced by jazz, especially in bassist [[Ryan Martinie]]'s playing.<ref name="Ratliff">{{cite magazine |url=https://www.rollingstone.com/artists/mudvayne/albums/album/93388/review/5941180/ld_50 |archive-url=https://web.archive.org/web/2007111...vayne/albums/album/93388/review/5941180/ld_50 |url-status=dead |archive-date=November 12, 2007 |title=Review of ''L.D. 50'' |first=Ben |last=Ratliff |date=September 28, 2000 |magazine=[[Rolling Stone]] |access-date=February 24, 2010 }}</ref><ref name="Rvr">Jon Wiederhorn, "Hellyeah: Night Riders", ''[[Revolver (magazine)|Revolver]]'', March 2007, p. 60-64 ([http://www.revolvermag.com/features/index.html link to ''Revolver'' back issues] {{webarchive|url=https://web.archive.org/web/20070928225752/http://www.revolvermag.com/features/index.html |date=September 28, 2007 }})</ref> [[Puya (band)|Puya]] frequently incorporates influences from American and [[Latin jazz]] music.<ref name="Mateus">{{cite book |last1=Mateus |first1=Jorge ArΓ©valo |editor1-last=Hernandez |editor1-first=Deborah Pacini |editor2-last=L'Hoeste |editor2-first=HΓ©ctor FernΓ‘ndez |editor3-last=Zolov |editor3-first=Eric |title=Rockin' Las Americas: The Global Politics of Rock in Latin/o America |url=https://archive.org/details/rockinlasamerica00paci |url-access=registration |date=2004 |publisher=University of Pittsburgh Press |location=Pittsburgh, PA |isbn=0-8229-5841-4 |pages=[https://archive.org/details/rockinlasamerica00paci/page/94 94β98]}}</ref>[/td] [td][/td]
[td][/td] [td]Another, more cerebral, all-instrumental progressive jazz fusion-metal band [[Planet X (band)|Planet X]] released ''[[Universe (Planet X album)|Universe]]'' in 2000 with [[Tony MacAlpine]], [[Derek Sherinian]] (ex-[[Dream Theater]]), and [[Virgil Donati]] (who has played with [[Scott Henderson]] from [[Tribal Tech]]). The band blends fusion-style guitar solos and syncopated odd-metered drumming with the heaviness of metal. Tech-prog-fusion metal band [[Aghora (band)|Aghora]] formed in 1995 and released their first album, self-titled ''[[Aghora (album)|Aghora]]'', recorded in 1999 with [[Sean Malone]] and [[Sean Reinert]], both former members of Cynic. [[Gordian Knot (band)|Gordian Knot]], another Cynic-linked experimental progressive metal band, released its debut album in 1999 which explored a range of styles from jazz fusion to metal. [[The Mars Volta]] is extremely influenced by jazz fusion, using progressive, unexpected turns in the drum patterns and instrumental lines. The style of Uzbek prog band [[Fromuz]] is described as "prog fusion". In lengthy instrumental [[Jam session|jams]] the band transitions from fusion of rock and [[ambient music|ambient]] [[world music]] to jazz and progressive hard rock tones.<ref>{{cite web |url=http://www.rockreviews.org/reviewpage.php?ID=624 |title=Music review of Overlook CD by Fromuz (2008) |website=rockreviews.org}}</ref>[/td]
[td]Another, more cerebral, all-instrumental progressive jazz fusion-metal band [[Planet X (band)|Planet X]] released ''[[Universe (Planet X album)|Universe]]'' in 2000 with [[Tony MacAlpine]], [[Derek Sherinian]] (ex-[[Dream Theater]]), and [[Virgil Donati]] (who has played with [[Scott Henderson]] from [[Tribal Tech]]). The band blends fusion-style guitar solos and syncopated odd-metered drumming with the heaviness of metal. Tech-prog-fusion metal band [[Aghora (band)|Aghora]] formed in 1995 and released their first album, self-titled ''[[Aghora (album)|Aghora]]'', recorded in 1999 with [[Sean Malone]] and [[Sean Reinert]], both former members of Cynic. [[Gordian Knot (band)|Gordian Knot]], another Cynic-linked experimental progressive metal band, released its debut album in 1999 which explored a range of styles from jazz fusion to metal. [[The Mars Volta]] is extremely influenced by jazz fusion, using progressive, unexpected turns in the drum patterns and instrumental lines.[/td] [td][/td]
[td][/td] [td]== See also ==[/td]
[td]== See also ==[/td]
Continue reading...
